The Best That I Could Do 1978–1988
| The Best That I Could Do 1978–1988 | ||||
|---|---|---|---|---|
 |
||||
| Greatest hits album by John Mellencamp | ||||
| Released | November 18, 1997 | |||
| Recorded | 1978-1997 | |||
| Studio | AIR Studios (London, England), Cherokee Studios (Los Angeles, California), Criteria Studios (Miami, Florida), TRC Studios (Indianapolis, Indiana), The Shack (Brownstown, Indiana), Belmont Mall (Nashville, Indiana) | |||
| Genre | Rock, heartland rock | |||
| Length | 58:51 | |||
| Label | Mercury | |||
| Producer |
|
|||
| Compiler | John Mellencamp | |||
| John Mellencamp chronology | ||||
|
||||
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   |
| Robert Christgau |  |
| Entertainment Weekly | B |
| The Rolling Stone Album Guide |  |
The Best That I Could Do 1978–1988 is the first greatest hits compilation album by American singer-songwriter John Mellencamp, released by Mercury Records in 1997 (see 1997 in music). It compiles Mellencamp's most popular material recorded during his first decade with Riva and Mercury Records, beginning with 1978's A Biography, up through 1987's The Lonesome Jubilee, with a new recording of Terry Reid's "Without Expression." Mellencamp picked the songs for the album and also came up with the title for the album. The album reached #33 on the Billboard 200. This album and Rough Harvest came about because, after leaving Mercury Records for Columbia Records, Mellencamp still owed the label two more albums.
Stephen Thomas Erlewine said that the album's title was suitable and while it did not include all of Mellencamp's hits, it is a good summary of Mellencamp's "remarkably consistent" work.Robert Christgau described it as the best of John Mellencamp, which to him is not saying much.Entertainment Weekly gave the album a "B" rating, describing it as "uncomplicated but sophisticated."
All tracks written by John Mellencamp, except where noted.
The version released in Japan features two additional songs ("Miami" and a cover of "Under the Boardwalk," tracks 2 and 15, respectively), and places "Lonely Ol' Night" before "Authority Song."
Per the album's liner notes
...
Wikipedia