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The Beach Boys Today!

The Beach Boys Today!
BeachBoysTodayCover.jpg
Studio album by The Beach Boys
Released March 8, 1965 (1965-03-08)
Recorded
  • June 22, 1964 (1964-06-22)–January 19, 1965 (1965-01-19)
Studio United Western Recorders, Gold Star Studios, and RCA Victor Studios, Hollywood
Genre
Length 28:54
Label Capitol
Producer Brian Wilson
The Beach Boys chronology
The Beach Boys' Christmas Album
(1964)
Today!
(1965)
Summer Days (And Summer Nights!!)
(1965)
The Beach Boys UK chronology
Beach Boys' Party!
(1966)
Today!
(1966)
Pet Sounds
(1966)
Singles from Today!
  1. "When I Grow Up (To Be a Man)" / "She Knows Me Too Well"
    Released: August 24, 1964
  2. "Dance, Dance, Dance"
    Released: October 26, 1964
  3. "Do You Wanna Dance?" / "Please Let Me Wonder"
    Released: February 15, 1965
Professional ratings
Retrospective reviews
Review scores
Source Rating
AllMusic 5/5 stars
Blender 4/5 stars
Encyclopedia of Popular Music 5/5 stars
The Guardian positive
Rolling Stone 5/5 stars

The Beach Boys Today!, also known simply as Today!, is the eighth studio album by the American rock group the Beach Boys. It peaked at number four on US record charts and was preceded by the top 10 singles "When I Grow Up (To Be a Man)" and "Dance, Dance, Dance", along with "Do You Wanna Dance?" which reached number 12.

Shortly before recording began, the group completed their album All Summer Long (1964), intended to be their final statement on beach-themed music. In December 1964, Brian Wilson suffered through a nervous breakdown while on a flight, and was introduced to marijuana as a stress reliever. He then became a regular user after he realized the profound effect it had on the way he perceived music, and resigned from touring with the group to focus solely on writing and producing.

Produced, arranged, and largely written by Wilson with additional lyrics by Mike Love, Today! signaled a departure from previous albums through Wilson's increasingly sophisticated, orchestral approach and the abandonment of themes related to surfing, cars, or teenage love. The tracks on side one feature an uptempo sound that contrasts side two, which consists mostly of ballads. With instrumentation that includes accordions, harpsichords, French horn, tack pianos, mandolins, and sleigh bells, the album showcases adventurous and distinct arrangements, multi-layered Wall of Sound productions, and personal, autobiographical subject matter that would foreshadow future albums such as Pet Sounds (1966).


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