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The Bats (New Zealand band)

The Bats
Origin Christchurch, Canterbury, New Zealand
Genres Dunedin Sound, indie pop
Years active 1982–present
Labels Flying Nun
Little Teddy Recordings
Members Paul Kean
Malcolm Grant
Robert Scott
Kaye Woodward

The Bats are an influential New Zealand rock band formed in 1982 in Christchurch by Paul Kean (bass), Malcolm Grant (drums), Robert Scott (lead vocals, rhythm guitar, keyboards) and Kaye Woodward (lead guitar, vocals). Though primarily a Christchurch band, The Bats have strong links to Dunedin and are usually grouped in with the Dunedin Sound musicians that emerged in the early 1980s. The band has retained the same four members from 1982 to the present day.

In the early 1980s, Robert Scott and Kaye Woodward were sharing accommodation together in Christchurch. Scott was already playing guitar in The Clean, and had also played with bassist Paul Kean in the short-lived band, Thanks To Llamas. After Scott taught Woodward some of his songs, the three began playing together at parties as The Percy Taiwan Band. After recruiting Malcolm Grant of The Bilders on drums, they renamed themselves The Bats.

The Bats first performed in Dunedin on New Year's Eve, 1982. Over the next two years, they were involved in the live music scene in Christchurch and Dunedin, before releasing their first EP, By Night (1984), on the nascent alternative New Zealand record label, Flying Nun. The band spent the next two years touring New Zealand and Australia, and released another EP, And Here Is 'Music for the Fireside' (1985). The band's early releases were accompanied by some typically low budget but original music videos, notably 'By Night', 'I Go Wild' and 'Downfall'.

The band then travelled to Europe and spent time touring Britain and Germany, including playing support for Alex Chilton. They recorded the Made Up in Blue EP at the 24 track Point Studio in London in December 1985. 'Made Up in Blue', the first single released in the U.K. by Flying Nun, was awarded 'Single of the Week' by the influential British magazine, NME. An acquaintance in Glasgow offered the use of his home 8 track studio, and half of the tracks for what would become their debut album, Daddy's Highway, were recorded there.


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