The A–Z of Mrs P | |
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Southwark Playhouse poster by Su Blackwell
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Music | Gwyneth Herbert |
Lyrics | Gwyneth Herbert |
Book | Diane Samuels |
Productions | 2014 Southwark Playhouse |
Awards | 2010 Stiles and Drewe Song of the Year Award for the song "Lovely London Town" |
The A–Z of Mrs P | |
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Studio album by Original London Cast Recording | |
Released | 24 March 2014 |
Genre | Musical |
Length | 38:39 |
Label | SimG Productions |
Producer | Simon Greiff |
The A–Z of Mrs P is a musical conceived by Neil Marcus and written by British playwright Diane Samuels and British composer Gwyneth Herbert. Described as "a musical fable inspired by the autobiographies of Phyllis Pearsall", it tells the story of Phyllis Pearsall's creation of the London A to Z street atlas.The A–Z of Mrs P was performed in workshop with actress Sophie Thompson in May 2011. It opened in London at Southwark Playhouse on 21 February 2014, starring Peep Show actress Isy Suttie and Frances Ruffelle.
The Southwark Playhouse production received a four-starred review in The Times. Herbert won the Stiles and Drewe Song of the Year Award with her composition "Lovely London Town", one of the songs in the show.
A CD of the original London cast recording of the show was released on 24 March 2014 by SimG Productions.
The A–Z of Mrs P was first performed at London's Southwark Playhouse from 21 February to 29 March 2014. It was presented by Neil Marcus with Paul Tyrer and Jamie Clark for The Booking Office and Michael Peavoy Productions and was directed by Sam Buntrock. The set design was by Klara Zieglerova, the lighting design was by David Howe, the sound design was by Andrew Johnson and the costume design was by Philippa Batt. Steve Ridley was musical director and the musical staging was by Nick Winston. The orchestrations were by Sarah Travis and Gwyneth Herbert.
In a four-starred review, Donald Hutera of The Times described it as an "engaging new musical" and "a small-scale entertainment of some charm", with a score that is "accomplished... melodious, articulate and fun". Mark Shenton, writing in The Stage, said "There’s a real heart to the production, particularly in its tender portrait of Pearsall, whom Isy Suttie invests with a stunning blend of the gauche and sincere, the knowing and the vulnerable." He added that although "Diane Samuels' book too often goes off on tangents, Herbert's score is moody and lyrically astute enough to keep the dramatic momentum on track."