Talitres
| Talitres | |
|---|---|
 |
|
| Founded | 2000 |
| Founder | Sean Bouchard, Xavier Simon |
| Distributor(s) | Differ-Ant, Shellshock, Rough Trade, Munich V2 Benelux, Audioglobe, Believe Digital |
| Genre | Indie, Indie Pop, Indie Folk, Folk, Indie Rock, Slowcore |
| Country of origin | France |
| Location | Bordeaux |
| Official website | talitres.com |
Talitres, formerly known as Talitres Records, is a French independent record label based in Bordeaux, founded in 2000 and specializing in indie pop and folk music. It began as a way to release music from Indie Rock bands that were not distributed in France and Europe, and has expanded to include various artists from all around the world. The label has released notable records by The National, Motorama, Destroyer, François & the Atlas Mountains, Emily Jane White, and many others.
Talitres' first release was Elk City's debut album in March 2001 and has gone on to release between 5 and 8 albums each year since then.
Talitres was founded in 2000 by Sean Bouchard and his friend Xavier Simon (who left shortly after to start his own record label Drunk Dog). Inspired by the likes of Matador Records, Secretly Canadian or Bella Union, Bouchard, a former agronomist, wanted to start a label that championed indie albums and artists that were virtually unknown to the general public in France and Europe and that were not released in these territories.
The label's first release was Elk City album Status, licensed from Parasol Records for release in Europe. It was a reasonable success, gathering praise by specialist press and generalist media alike. Many of the following albums on Talitres' discography were released under the same licensing model that allowed to put out albums much faster while reducing costs, an ideal solution for these risky early days. However, the label has gradually departed from this model, preferring instead to sign production contracts when possible. The notable releases came with The Walkmen debut album in 2002, The National Sad Songs For Dirty Lovers album in 2003 and Flotation Toy Warning Bluffer’s Guide To The Flight Deck in 2004, which gave the label its first international exposure and opened the gates for a wider repertoire of artists like The Wedding Present or The Organ, attracted by its growing notoriety and the developing touring opportunities that resulted from it.
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