Taiwanese pop
| Music of China | |
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| General topics | |
| Genres | |
| Specific forms | |
| Media and performance | |
| Music festivals | Midi Modern Music Festival |
| Music media | |
| Nationalistic and patriotic songs | |
| National anthem | |
| Regional music | |
The music of Taiwan reflects the diverse culture of Taiwanese people. Taiwan has undergone several economic, social and changes through its cultural history and Taiwanese music reflects those issues in their own way. The music of this country has adopted a mixed style. As a country rich in Chinese folk culture and with many indigenous tribes with their own distinct artistic identity, various styles of folk music are appreciated in Taiwan. In addition, Western classical music and pop music in various forms are highly appreciated by the Taiwanese population. Taiwan is an important Mandopop (Mandarin pop music) hub.
With the arrival of the Kuomintang-led Republic of China government in 1949, native Taiwanese culture was suppressed, and Standard Chinese (Mandarin) was promoted as the official language. This led to a break in tradition in parts of the island, and ended in 1987, when martial law was lifted and a revival of traditional culture began. (See Taiwanese localization movement.)
Instrumental music includes multiple genres, such as beiguan and nanguan. Nanguan originally hails from Quanzhou, while it is now most common in Lukang and is found across much of the island.
Taiwanese puppetry (hand-puppet theater) and Taiwanese opera, two genres of spectacle that are strongly related to music, are very popular, while the latter is often considered the only truly indigenous Han form of music still extant today.
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Wikipedia