Sydney Filmmakers Co-operative

The Sydney Filmmakers Co-operative was a co-operative of independent filmmakers, set up to distribute and exhibit their films and the films of other independent filmmakers both Australian and overseas. The collection eventually included short films experimenting with film technique, low budget features, and documentaries with a particular emphasis on progressive social issues. Founding members were the experimental filmmakers of the 60s and early 70s, including Aggy Read, David Perry, Albie Thoms, Phillip Adams, Phillip Noyce, and later Bruce Petty.

The Co-op grew out of the earlier, less formal, group Ubu Films and held its first official meeting in May 1970. One month earlier, the Experimental Film Fund had come into operation, and suddenly filmmakers had the beginnings of government support for independent or non-feature production – in fact, independent production became government dependent. With the receipt of its own support from the federally funded Australian Film Commission (AFC), the Co-op opened its own 100-seat cinema in St Peters Lane Darlinghurst in 1974, with the upstairs premises used for film distribution and production of the newspaper Filmnews, begun in February 1975. The paper was initially little more than a supplement to the Co-op's Film Catalogue, but later developed into an independent journal which provided a critical look at issues affecting the production, distribution and exhibition of film and video in Australia.

With the beginnings of the Co-op coinciding with the burgeoning of the Women's Liberation movement, and of the Aboriginal Land Rights movement, the Co-op distributed and exhibited some of the first Australian films by, for, and about women, and some of the first films about Aboriginal Australian history and politics. The Sydney Women's Film Group, a collective of members from within the Co-op, was particularly active in distributing women's films for screening at various women's movement events, and Film Co-op women were responsible for programming and producing The International Women's Film Festival of 1975.

And as part of the newly reviving Australian film industry, several of the Co-op members went on to key roles and careers in mainstream feature film production.

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