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Susie Q (song)

"Susie Q"
Single by Dale Hawkins
B-side "Don't Treat Me This Way"
Released May 1957 (1957-05)
Format 7" 45 RPM
Recorded 1957 in KWKH Radio, Shreveport, Louisiana
Genre Rockabilly
Length 2:13
Label Checker
Writer(s) Dale Hawkins, Stan Lewis, Eleanor Broadwater
Dale Hawkins singles chronology
"Susie Q"
(1957)
"Baby Baby"
(1957)
"Suzie Q."
Song by The Rolling Stones from the album The Rolling Stones No. 2
Released 1965
Recorded February 25, 1964
Length 1:51
"Suzie Q"
Single by Creedence Clearwater Revival
from the album Creedence Clearwater Revival
A-side "Suzie Q. (Part one)"
B-side "Suzie Q. (Part two)"
Released June 15th, 1968
Format 7" 45 RPM
Recorded January 19, 1968
Length 8:39 (Album version)
4:35 (Single version)
Label Fantasy
Producer(s) Saul Zaentz
Creedence Clearwater Revival singles chronology
"Porterville"
(1968)
"Suzie Q"
(1968)
"I Put a Spell on You"
(1968)

"Susie Q" is a song by Louisiana-born singer and guitarist Dale Hawkins (1936–2010). He wrote the song himself, but when it was released, Stan Lewis, the owner of Jewel/Paula Records, and Eleanor Broadwater, the wife of Nashville DJ Gene Nobles, were also credited as co-writers to give them shares of the royalties.

Hawkins cut "Susie Q" at the KWKH Radio station in Shreveport, Louisiana. "Susie Q" was a late rockabilly song which captured the spirit of Louisiana and featured guitar work by James Burton, who also worked with Ricky Nelson and later with Elvis Presley, among others.

Sometime after the recording, the master tape of "Susie Q" was sold to Checker Records in Chicago, which released it as a 45 RPM single in May 1957. The single peaked at numbers 7 and 27 on Billboard magazine's Hot R&B Sides and Hot 100 charts, respectively.

Hawkins' original version is also included in the Rock and Roll Hall of Fame's "500 Songs that Shaped Rock and Roll".

Many artists have covered the song.

A fast version - with electric solo guitar performance by Keith Richards - is by The Rolling Stones, recorded February 25, 1964, released in the US on the album 12 X 5 in 1964 and in the UK on the album The Rolling Stones No. 2 in 1965. With its 1:49 running time it is one of the shortest songs The Rolling Stones ever made.


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