Susanne Linke

Susanne Linke (b. June 19, 1944) is an internationally renowned German dancer and choreographer who is one of the major innovators of German Tanztheater, along with Pina Bausch and Reinhild Hoffmann.

Susanne Linke was born in Lüneburg, Germany, to Heinz Linke (a pastor) and Rosi Linke-Schäfer (born Peschko). A hearing and speech disorder and related issues delayed the development of her speaking ability as a child. The German pianist Sebastian Peschko is her uncle.

Susanne Linke only began to study dance at the age of twenty, when she went to Berlin to take lessons from Mary Wigman at her studio. Three years later she moved to Essen to pursue dance at the Folkwang Hochschule (Folkwang Academy) founded by Kurt Jooss. In 1970, she became a dancer in the school's dance company, the Folkwang Tanzstudio (Folkwang Dance Studio), then under the direction of Pina Bausch. During the period from 1970 to 1973, she also danced with the Rotterdam Dance Center. In 1975, Linke and Reinhild Hoffmann together took over leadership of the Folkwang Tanzstudio from Bausch, a position Linke continued to hold for a decade.

Susanne Linke has choreographed original dance works since 1970, becoming known for a style that is intense, austere, and neoexpressionist. Two of her 1975 dances—Danse funèbre (Funeral Dance) and Trop Trad (Too Trad)— were awarded prizes. Other works from the 1970s and 1980s include Puppe? (Doll?, 1975), Die Nächste bitte (Next Please, 1978), Im Bade wannen (Bath Tubbing, 1980), Wowerwiewas (1980), Flut (Flood, 1981), Frauenballett (Women's Ballet, 1981), Es schwant (It Continues, 1982), and Wir können nicht alle nur Schwäne sein (We Can't All Only Be Swans, 1982). Her first full-evening work was based on the Bacchae of Euripides. Schritte verfolgen (Follow the Steps, 1985), Linke's first major solo ballet, dealt with her problematic childhood and the development of a dancer.

Since the 1980s, Linke has participated in the major international dance festivals, often dancing her own solos. Her international solo career has been significantly supported by the Goethe-Institut. In 1985, she resigned from the management of the Folkwang Dance Studio and began to work primarily as a freelance choreographer, making work for such well-known groups as the José Limón Company in New York, the Paris Opera, and the Nederlands Dans Theater.

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