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Sun Araw

Sun Araw
Picture of Sun Araw performing at the Arcata Playhouse on March 26, 2011
Performing live in March 2011
Background information
Birth name Cameron Stallones
Origin Austin, Texas, United States
Genres Experimental,neo-psychedelia,hypnagogic pop
Labels Not Not Fun, Woodsist, Sun Ark, Thrill Jockey
Associated acts Magic Lantern, Vibes, Pocahaunted
Website sunaraw.com

Cameron Stallones, better known by his alias Sun Araw, is an American musician. Previously a member of the band Magic Lantern, he has released several albums of experimental music, including a collaboration with Jamaican reggae group The Congos. He has also worked as part of the Not Not Fun label 'supergroup' Vibes.

Originally from Austin, Texas, Stallones now resides in Long Beach, California. Stallones was associated with the Not Not Fun label, and released his debut album, The Phynx, in 2008. This was followed later that year with Beach Head. He has been prolific since then with three albums released in 2010 and two in 2011. Stallones also collaborated with Pocahaunted on the Passage album.

Stallones set up his Sun Ark studio in his Long Beach home, where he records most of his music.

His 2012 collaboration with M. Geddes Gengras and The Congos Icon Give Thank reached number seven on the Billboard Top World Albums chart. Sun Araw and The Congos also performed live together.

is a Tagalog word meaning sun or day, depending on context, so Stallones' stage name literally translates to sun sun. However, as Sun Araw recounted to LA Weekly, he considers his name to mean "sun day", which is a pun referring to Sunday, and more specifically the Christian Sabbath day. Therefore, Sun Araw considers his name to mean "sacred rest", despite "rest" not being one of the meanings of araw. One justification for this he provided was that he participates for a time in many bands - but his one man show Sun Araw is something he can always rely on when he takes a break from other music projects.

His 2010 album Off Duty was described by Allmusic writer Gregory Heaney as "pulsing, Krautrock-influenced retro-futuristic lo-fi."Jon Pareles, writing for The New York Times, described Sun Araw's music as "a happy jungle of electronic repetition and live playing." Loops and echoes reconfigured reggae, funk and Afrobeat in dizzying ways; the music cackled and hopped, ready to trip up dancers or just get trippy in decidedly 21st-century groove."


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