Studio des Ursulines
Studio des Ursulines, Paris.
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| Address | 10 rue des Ursulines, 5th arrondissement, Paris, France |
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| Coordinates | 48°50′34″N 2°20′31″E / 48.84278°N 2.34194°E |
| Type | Cinema |
| Genre(s) | Art & Essai, animation, cinéclub |
| Capacity | 122 |
| Opened | January 21, 1926 |
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The Studio des Ursulines is a cinema in the 5th arrondissement of Paris, at No.10, Rue des Ursulines. It is one of the oldest cinemas in Paris to have kept its facade and founder's vision: to offer a venue for art and experimental cinema. Gilles Renouard of Paris Cinéphile describes it as 'an astonishing experience' for its nostalgic associations and being able to be within 3 metres of the screen if you sit in the balcony. It has 1 screen.
In 1925, actors Armand Tallier and Laurence Myrga choose the small rue des Ursulines to establish a cinema to specialize in avant-garde films and catered to art house audiences. Thus, the first avant-garde cinema in France was born, a precursor to the now established system of "Art et Essai."
The cinema opened January 21, 1926. Films by André Breton, Man Ray, Fernand Léger, René Clair and Robert Desnos were shown.
Between January 1926 and December 1957, a wide range of now-classic films premiered at the theater, such as René Clair's Le Voyage Imaginaire, Von Stroheim’s Greed, Von Sternberg’s The Blue Angel, Roberto Rossellini’s’ Amore and Howard Hawks A Girl in Every Port. In 1958 it showed work by Satyajit Ray, Andrzej Wajda, Ingmar Bergman and Luis Bunuel.
It is one of two cinemas in central Paris whose facades have not been significantly altered.
In 1928, it premiered the first film of Germaine Dulac, taken from a story by Antonin Artaud, The Seashell and the Clergyman. The film was heckled by the surrealists André Breton and Louis Aragon, leading to a fight that stopped the screening. Tallier did not call the police and the film screened took place few weeks later. Tallier became associated in the 1950s with the creation of the Art et Essai, movement with the birth of l’AFCAE (Association Française des Cinémas d’Art & d’Essai) in 1955.
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