Studio Building (Boston, Massachusetts)

The Studio Building (1861–1906) on Tremont Street (corner of Bromfield Street) in Boston, Massachusetts, housed artists' studios, theater companies and other businesses in the 19th century. It "held the true Bohemia of Boston, where artists and literati delighted to gather." Among the tenants were portraitist E.T. Billings, architect George Snell, sculptor Martin Milmore, artists William Morris Hunt, William Rimmer, Phoebe Jenks; gallerist Seth Morton Vose, and many others.

From 1861 the Studio Building stood adjacent to the Horticultural Hall, on the opposite side of Bromfield St. The building consisted of "a massive range of brick, four stories high, — the whole surmounted by a French roof; a handsome and imposing structure, in the lower story of which are six fine large stores, occupied [in 1869] by the Leavitt and Parker Sewing-Machine Cos., California Wine Agency, the Howard Clock Co., &c.; and, above-stairs, by numerous artists, painters, engravers, draughtsmen, &c."

"The Studio Building ... is a perfect hive of artists. This building, indeed, is the headquarters of the artists of Boston. ... There are delightful artists' receptions here, to which the general public is invited. Besides the devotees of art, there are many private teachers of music and the languages in the Studio Building, and not a few of the rooms are occupied as bachelors' apartments." Visitors included Sophia Peabody Hawthorne in 1863: "5 June, Thursday. Finest day - cool. We went out after breakfast with Annie. We visited Studio gallery - & saw good statue of Judge Shaw. Hunt's portrait by himself. Healy's Longfellow. Ames' Rachel. Gay's seashore & a pearly silvery sky of wondrous truth."

Beginning in November 1861, artist William Rimmer gave anatomy "lectures in Room 55 of the Studio Building. He was an inspiring teacher; John LaFarge ... Daniel Chester French, Frederick Vinton, Frank Benson and many others testified to it. ... He represented the first thorough art instruction based on the human figure to be given in Boston, and indeed in the entire United States. ... Rimmer's lectures were never mere dry analyses of muscles and their attachments. He drew brilliantly on the blackboard, combining technical diagrams with fantastic embellishments. His figures sprouted wings, were set off by elegant draperies, sat beside elaborate urns, were clad in fanciful armor, brandished trumpets and daggers." One of his students was May Alcott, who "studied sculpture with William Rimmer and painting with William Hunt at the new Studio Building in Boston, on the corner of Tremont and Broomfield streets."

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