Frederic Porter Vinton | |
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Frederic Porter Vinton, circa 1880-1890
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Born |
Bangor, Maine |
January 29, 1846
Died | May 19, 1911 Boston |
(aged 65)
Nationality | American |
Known for | Painting |
Movement | Impressionism |
Frederic Porter Vinton (January 29, 1846 – May 19, 1911), sometimes spelled "Frederick", was an American portrait painter.
He was born in Bangor, Maine. He grew up in Chicago, and moved to Boston in 1861 For twenty years he worked as a bookkeeper, during which he studied art under William Rimmer at the Lowell Institute. Soon after studying at the Institute, he wrote an art review for the Boston Advertiser. He opened a portrait studio in Boston in 1878. After his studio picked up business, he traveled abroad in Europe for eighteen months, then returned to marry Annie M. Pierce on June 27, 1883. His first exhibition was in 1880, which showed a portrait of his. He contributed his art to the exhibit every year until 1883, in which political unrest in the Academy in which the exhibit belonged forced him to resign for a year. In 1884 he submitted "Street in Toledo", the first of his landscapes to be submitted. Everything before it was a portrait of some kind. In 1891 he was elected a full member of the National Academy of Design, New York City.
Frederic moved to Chicago with his parents when he was ten. Then, five years later, his family moved to Boston. After first working as a clerk, he for short time was a banker, and then worked as a bookkeeper. While a bookkeeper, he began studying art under William Rimmer of the Lowel Institute. Upon prompting from Rimmer, Vinton sent a review of some local artwork to the Boston Advertiser. In 1878 he began his artistic career by starting a small portrait studio in Boston.
Vinton married Annie M. Pierce on June 27, 1883, after an eighteen-month trip across Europe, visiting the Netherlands, France, and Germany. Some of his most famous paintings of portraits of his young wife.
Frederic specialized in portraits, although he had done some landscapes, such as "Street in Toledo" and "River View, Spring". His paintings have been described as impressionistic. Some critiques have gone as far as to say his work was, more specifically, pre-1940's impressionism. His work was also highly influenced by his European travels, and his studies under many important artists of the time. It is associated with the Boston School of painting.