The Divine Comedy | |
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Performing at the Summer Sundae festival, 2007
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Background information | |
Origin | Enniskillen, Northern Ireland |
Genres | Orchestral pop |
Years active | 1989–present |
Labels | Setanta, Parlophone, Divine Comedy |
Website | Official site |
Members | Band members |
The Divine Comedy discography | |
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Studio albums | 11 |
Live albums | 1 |
Compilation albums | 1 |
EPs | 5 |
Singles | 21 |
The Divine Comedy are an orchestral pop band from Northern Ireland formed in 1989 and fronted by Neil Hannon. Hannon has been the only constant member of the group, playing, in some instances, all of the non-orchestral instrumentation besides drums. To date, eleven studio albums have been released under the Divine Comedy name. The group achieved their greatest commercial success in the years 1996–99, during which they had nine singles that made the UK Top 40, including the top ten hit "National Express".
Neil Hannon has been the only ever-present member of the band, being its founder in 1989 when he was joined by John McCullagh and Kevin Traynor. Their first album, the heavily R.E.M.-influenced and now-deleted Fanfare for the Comic Muse, enjoyed little success. A couple of equally unsuccessful EPs – Timewatch (1991); Europop (1992) – were to follow, with newly recruited member John Allen handling lead vocals on some tracks. After the commercial failure of the Europop EP, this line-up soon fell apart.
Hannon, however, was not deterred in his efforts and re-entered the studio in March 1993, teaming up with co-producer/drummer Darren Allison, for the recording of Liberation. Featuring a fairly diverse musical outlook that goes from the tongue-in-cheek synth pop of 'Europop' (nearly unrecognisable from the previously released version) to the classical stylings of 'Timewatching', it is also characterised by a plethora of literary references: 'Bernice Bobs Her Hair' recalls a short story by F. Scott Fitzgerald; 'Three Sisters' draws upon the play by Anton Chekhov; and 'Lucy' is essentially three William Wordsworth poems abridged to music. This led to a degree of critical acclaim, but commercial success still proved elusive.