Strange Interlude | |
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Written by | Eugene O'Neill |
Characters | Edmund Darrell Gordon Evans Nina Leeds Sam Evans Prof. Henry Leeds Charles Marsden Madeline Arnold Mrs. Amos Evans |
Date premiered | January 28, 1928 |
Place premiered | John Golden Theatre |
Original language | English |
Genre | Drama |
Setting | Small university town in New England; various places in New York |
Strange Interlude is an experimental play in nine acts by American playwright Eugene O'Neill. O'Neill finished it in 1923, but it was not produced on Broadway until 1928, when it won the Pulitzer Prize for Drama. Lynn Fontanne originated the central role of Nina Leeds on Broadway. It was also produced in London at the Lyric Theatre in 1931. It was included in Burns Mantle's The Best Plays of 1927-1928. Because of its length, around five hours if uncut, the play has sometimes been produced with a dinner break or on consecutive evenings. The play's subject matter, very controversial for the 1920s, led to it being censored or banned in many cities outside New York.
Strange Interlude makes extensive use of a soliloquy technique, in which the characters speak their inner thoughts to the audience.
The plot centers on Nina Leeds, the daughter of a classics professor at a college in New England, who is devastated when her adored fiancé is killed in World War I, before they have a chance to consummate their passion. Ignoring the unconditional love of the novelist Charles Marsden, Nina embarks on a series of sordid affairs before determining to marry an amiable fool, Sam Evans. While Nina is pregnant with Sam's child, she learns a horrifying secret known only to Sam's mother: insanity runs in the Evans family and could be inherited by any child of Sam's. Realizing that a child is essential to her own and to Sam's happiness, Nina decides on a "scientific" solution. She will abort Sam's child and conceive a child with the physician Ned Darrell, letting Sam believe that it is his. The plan backfires when Nina and Ned's intimacy leads to their falling passionately in love. Twenty years later, Sam and Nina's son Gordon Evans is approaching manhood, with only Nina and Ned aware of the boy's true parentage. In the final act, Sam dies of a stroke before he can learn the truth. This leaves Nina free to marry Ned Darrell, but she declines to do so, choosing instead to marry the long-suffering Charlie Marsden, who proclaims that he now has "all the luck at last."
The meaning of the title is suggested by the aging Nina in a speech near the end of the play: "Our lives are merely strange dark interludes in the electrical display of God the Father!"
Many who have never read Strange Interlude or seen it performed will nevertheless associate the title with the unusual soliloquy technique employed by O’Neill to delve into his characters’ psychology. Throughout the play, the characters alternate their spoken dialogue with monologues and side comments, many in stream-of-consciousness style, expressing their unspoken thoughts.