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Stolen Kisses

Stolen Kisses
Baisers voles.jpg
Original film poster
Directed by François Truffaut
Produced by François Truffaut
Marcel Berbert
Written by François Truffaut
Claude de Givray
Bernard Revon
Starring Jean-Pierre Léaud
Claude Jade
Delphine Seyrig
Music by Antoine Duhamel
Song: Que reste-t-il de nos amours? by Charles Trenet
Cinematography Denys Clerval
Edited by Agnès Guillemot
Production
company
Les Films du Carrosse
Distributed by United Artists
Release date
  • 14 August 1968 (1968-08-14) (Avignon)
  • 4 September 1968 (1968-09-04) (France)
Running time
91 minutes
Country France
Language French
Budget $350,000
Box office $1.5 million
1,156,101 admissions (France)

Stolen Kisses (French: Baisers volés) is a 1968 French romantic comedy-drama film directed by François Truffaut starring Jean-Pierre Léaud and Claude Jade. It continues the story of the character Antoine Doinel, whom Truffaut had previously depicted in The 400 Blows and the short film Antoine and Colette. In this film, Antoine begins his relationship with Christine Darbon, which is depicted further in the last two films in the series, Bed & Board and Love on the Run.

The original French title of the film comes from a line in Charles Trenet's song "Que reste-t-il de nos amours ?" which is also used as the film's signature tune. The film was nominated for Academy Award for Best Foreign Language Film.

The film begins with a pan onto the locked gates of the Cinémathèque Française then based at the Palais du Chaillot. On the gates there is a sign 'Relache' ('Closed'). This is Truffaut's reference to the Affaire Langlois when the head of the Cinémathèque had been sacked by the French government. He was eventually reinstated after filmmakers like Truffaut used all their wiles to foment protest.

There are many continuations from The 400 Blows; discharged from the army as unfit, Antoine Doinel seeks out his sweetheart, violinist Christine Darbon. He has written to her voluminously (but, she says, not always nicely) while in the military. Their relationship is tentative and unresolved. Christine is away skiing with friends when Antoine arrives, and her parents must entertain him themselves, though glad to see him. After she learns that Antoine has returned from military service, Christine goes to greet him at his new job as a hotel night clerk. It is a promising sign that perhaps this time, the romance will turn out happily for Antoine. He is, however, quickly fired from the hotel job. Counting the army, Antoine loses three jobs in the film, and is clearly destined to lose a fourth, all symbolic of his general difficulty with finding his identity and "fitting in".


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