Stephen Graham (1884 - 15 March 1975) was a British journalist, travel-writer, essayist and novelist. His best-known books recount his travels around pre-revolutionary Russia and his journey to Jerusalem with a group of Russian Christian pilgrims. Most of his works express his sympathy for the poor, for agricultural labourers and for tramps, and his distaste for industrialisation.
Graham was born in Edinburgh, the son of P. Anderson Graham, the essayist and editor of the periodical, Country Life. Shortly after his birth his family moved to Cheltenham. At the age of fourteen Graham left school and worked in London as a clerk in the law courts and the civil service. He began to study Russian under Nicolai Lebedev, with whom he spent a holiday at Lisichansk near the Sea of Azov - an experience which began a lifelong interest in Russia. Shortly after returning to Britain he gave up his job and returned to Russia to hike around the Caucasus and the Urals. Thereafter he supported himself by his journalism and his books. He also taught English in Moscow.
In the early 20th century Graham was commissioned by Lord Northcliffe to write reports from Russia for his newspaper, The Times. Not long after his arrival in Russia he met Rosa Savory, whom he married in Russia in 1909. He was twenty-five; she, forty years old. During World War I Graham found himself in the Altai mountains, from where he sent accounts of the war as seen from a Russian point of view, which were published in The Times and republished as Russia and the World (1915) and Through Russian Central Asia (1916).
Graham returned to Britain and enlisted in the Scots Guards, as a private soldier rather than as an officer, because ‘to serve in the ranks is a unique opportunity to get to know the working man.’. He reached the Western Front in April 1918; and the following year published an account of his wartime experiences in A Private in the Guards (1919), in which he considers the human cost at which an elite military unit is created (one whose unofficial ethos was that ‘a good soldier was one who would not take a prisoner’.) The book's first sentence is: 'The sterner the discipline the better the soldier, the better the army.' The book explores the paradox that the ideals for which Britain was fighting could only be achieved by means that were frequently brutal.