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Stay (Faraway, So Close!)

"Stay (Faraway, So Close!)"
Stay (Faraway, So Close!) U2.jpg
Single by U2
from the album Zooropa
Released 22 November 1993
Format 7", cassette, CD
Recorded February–May 1993 in Dublin, Ireland
Genre Alternative rock
Length 4:58
Label Island
Writer(s) U2 (music), Bono (lyrics)
Producer(s) Flood
U2 singles chronology
"Lemon"
(1993)
"Stay (Faraway, So Close!)"
(1993)
"Hold Me, Thrill Me, Kiss Me, Kill Me"
(1995)
Music video
"Stay (Faraway, So Close!)" on YouTube

"Stay (Faraway, So Close!)" is a song by rock band U2. It is the fifth track on their 1993 album, Zooropa, and was released as the album's third single on 22 November 1993. The song was a top ten hit in Ireland, Australia, the United Kingdom, and several other countries. The music video was shot in Berlin, Germany. The earliest incarnation of the song developed during sessions for the group's 1991 album Achtung Baby. It was written for and inspired by Frank Sinatra and bore his surname as the original working title. An alternate recording was used in the Wim Wenders film Faraway, So Close!.

"Stay (Faraway, So Close!)" was well received by critics and nominated for a Golden Globe for Best Original Song. The song made its live debut on the Zoo TV Tour but has only been performed intermittently in an acoustic version over subsequent tours. Members of U2 consider it to be one of their favourite songs; guitarist The Edge named it the best track on the album, while lead singer Bono stated that it was one of their best creations.

The earliest incarnation of "Stay (Faraway, So Close!)" was developed during the recording sessions for Achtung Baby. While working in Hansa Ton Studios in Berlin, guitarist The Edge and lead singer Bono created the verse. The track was given the working title "Sinatra" in reference to the artist whose music inspired it. The group reworked it in preparation of Zooropa. The Edge noted "it came to us in installments". Bassist Adam Clayton said "it was hard to figure out how we would do it. I mean, no one is going to mistake us for Frank Sinatra's backing band. A very humble little combo sound is what we ended up with and that really worked." The Edge added "I was playing around on piano with some old-school chord progressions trying to summon up the spirit of Frank Sinatra. It's definitely not from a rock and roll tradition." He worked out a chord progression based on old Tin Pan Alley songs.


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