State of Exception (2005)
| Giorgio Agamben | |
|---|---|
Wall painting of Agamben at the Abode of Chaos, France
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| Born |
22 April 1942 Rome, Italy |
| Education | Sapienza University of Rome (Laurea, 1965) |
| Era | Contemporary philosophy |
| Region | Western philosophy |
| School |
Continental philosophy Philosophy of life |
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Main interests
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Aesthetics Political philosophy |
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Notable ideas
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Homo sacer State of exception Whatever singularity Bare life Auctoritas Form-of-life The zoe–bios distinction as the "fundamental categorial pair of Western politics" The paradox of sovereignty |
Giorgio Agamben (Italian: [aˈɡambɛn]; born 22 April 1942) is an Italian philosopher best known for his work investigating the concepts of the state of exception,form-of-life (borrowed from Ludwig Wittgenstein) and homo sacer. The concept of biopolitics (borrowed and adapted from Michel Foucault) informs many of his writings.
Agamben was educated at the University of Rome, where in 1965 he wrote an unpublished laurea thesis on the political thought of Simone Weil. Agamben participated in Martin Heidegger's Le Thor seminars (on Heraclitus and Hegel) in 1966 and 1968. In the 1970s, he worked primarily on linguistics, philology, poetics, and topics in medieval culture. During this period, Agamben began to elaborate his primary concerns, although their political bearings were not yet made explicit. In 1974–1975 he was a fellow at the Warburg Institute, University of London, due to the courtesy of Frances Yates, whom he met through Italo Calvino. During this fellowship, Agamben began to develop his second book, Stanzas (1977).
Agamben was close to the poets Giorgio Caproni and José Bergamín, and to the Italian novelist Elsa Morante, to whom he devoted the essays "The Celebration of the Hidden Treasure" (in The End of the Poem) and "Parody" (in Profanations). He has been a friend and collaborator to such eminent intellectuals as Pier Paolo Pasolini (in whose The Gospel According to St. Matthew he played the part of Philip), Italo Calvino (with whom he collaborated, for a short while, as advisor to the publishing house Einaudi and developed plans for a journal), Ingeborg Bachmann, Pierre Klossowski, Guy Debord, Jean-Luc Nancy, Jacques Derrida, Antonio Negri, Jean-François Lyotard and others.
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