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Star Wars Headspace

Star Wars Headspace
The Star Wars logo on the top left, along with flashing red and blue lights displaying "Headspace"
Compilation album by Various artists
Released February 19, 2016 (2016-02-19)
Genre Electronic
Length 1:05:49
Label
Producer
Singles from Star Wars Headspace
  1. "Cantina Boys"
    Released: February 8, 2016
  2. "NR-G7"
    Released: February 8, 2016
  3. "R2 Where R U?"
    Released: February 8, 2016
  4. "Help Me"
    Released: February 9, 2016
  5. "Force"
    Released: February 18, 2016
Professional ratings
Aggregate scores
Source Rating
Metacritic 48/100
Review scores
Source Rating
AllMusic 2.5/5 stars
Consequence of Sound C-
Pitchfork Media 6.9/10
Rolling Stone 2.5/5 stars
Tiny Mix Tapes 1/5 stars

Star Wars Headspace is an electronic music compilation album executively produced by Rick Rubin and Kevin Kusatsu. It compiles electronic dance tracks of acts including Claude VonStroke, Flying Lotus and Röyksopp. It featured sound effects and samples from the Star Wars films, but does not contain any sample of John Williams' music for the series. Hollywood Records and American Recordings released Star Wars Headspace in digital forms on February 19, 2016 and in physical forms on March 18, to decent commercial performance, beginning at number one on the United States Billboard Dance/Electronic Albums chart and becoming the second various artists compilation to top the chart. However, it also garnered a mixed response from music critics, praise going towards its eccentric concept and criticism that it would likely only be enjoyed by fans of the film series.

Star Wars Headspace is a compilation album of electronic dance music featuring sound effects and samples from the Star Wars films. Musicians Rick Rubin and Kevin Kusatsu, who executively produced the album, gave the producers files of these sounds, but were also instructed by Lucasfilm to not sample any of John Williams' score from the films.Flying Lotus, who said that he was proud of being a part of the project, felt that the concept made sense given that the sounds used in the Star Wars would be a precursor of what was yet to come in electronic music. Therefore, he felt "close" to the sounds he was using to reflect the universe of the films.


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