Stanley Morison (6 May 1889 – 11 October 1967) was an influential British typographer, printing executive and historian of printing.
Morison was an influential adviser to the British Monotype Corporation, advising them on type design. His strong aesthetic sense was a force within the company, which starting shortly before his joining became increasingly known for commissioning popular, historically-influenced designs that revived some of the best typefaces of the past, with particular attention to the early period of printing from the Renaisssance to the late eighteenth-century, and creating and licensing several new type designs that would become popular. Original typefaces commissioned under Morison's involvement included Times New Roman, Gill Sans and Perpetua, while revivals of older designs included Bembo, Baskerville, Ehrhardt and Bell.
Stanley Morison was born in Britain on 6 May 1889, at Wanstead, Essex, but spent most of his childhood and early adult years (1896–1912) in London at the family home in Fairfax Road, Harringay. He was self-taught, having left school after his father abandoned his family.
In 1913 Morison became an editorial assistant on The Imprint magazine.
On the imposition of conscription in 1916 during First World War, he was a conscientious objector, and was imprisoned.
In 1918 he became design supervisor at the Pelican Press, which published material critical of the war. He moved on to a similar position at the Cloister Press. In 1922, he was a founder-member of the Fleuron Society, dedicated to typographic matters (a fleuron being a typographic flower or ornament). He edited the society's journal, The Fleuron, from 1925 to 1930. The quality of the publication's artwork and printing was considered exceptional. From 1923 to 1925, he was also a staff editor/writer for the Penrose Annual, a graphic arts journal.