St Paul's Church, Birmingham
| St Paul's | |
|---|---|
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| 52°29′07″N 1°54′21″W / 52.4853°N 1.9058°WCoordinates: 52°29′07″N 1°54′21″W / 52.4853°N 1.9058°W | |
| OS grid reference | SP064874 |
| Location | St Paul's Square, Birmingham |
| Country | England |
| Denomination | Church of England |
| Website | www |
| History | |
| Consecrated | 1779 |
| Architecture | |
| Heritage designation | Grade I listed |
| Specifications | |
| Bells | 10 |
| Tenor bell weight | 12 long cwt 2 qr 13 lb (1,413 lb or 641 kg) |
| Clergy | |
| Vicar(s) | Reverend Mary Gilbert |
| Laity | |
| Churchwarden(s) | Mr Matthew Lever |
St Paul’s is a Church of England church in the Georgian St Paul's Square in the Jewellery Quarter, Birmingham, England.
The Grade I listed church was designed by Roger Eykyns of Wolverhampton. Building started in 1777, and the church was consecrated in 1779. It was built on land given by Charles Colmore from his Newhall estate. It was the church of Birmingham's early manufacturers and merchants - Matthew Boulton and James Watt had their own pews, which were bought and sold as commodities at that time.
It is a rectangular church. The upper part of the tower and spire was added between 1822 and 1823, designed by Francis Goodwin and built by Standbridge and Company.
In 1841 the church became a parish in its own right, with land taken from that of St Martin in the Bull Ring. In 1947, St Mark’s Church, King Edward's Road was demolished, and the parish was joined with that of St Paul’s.
Bomb damage from the Second World War was repaired between 1949 and 1951 when much of the roof was replaced. The church undertook another restoration between 1985 and 1994. A peal of 10 bells was installed in 2005.
The east window has an important enamelled stained-glass window made in 1791 by Francis Eginton and modelled an altarpiece painted c. 1786 by Benjamin West, now in the Dallas Museum of Art. It shows the Conversion of Paul.
In the south east nave there is a window by Ward and Hughes of c. 1880 and the remaining windows are by Pearce between 1900 and 1907 and a modern window by Rachel Thomas in the north aisle dating from 2000.
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Wikipedia