Sonnet 76

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Sonnet 76 of the 1609 Quarto
Q1 Q2 Q3 C Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth and where they did proceed? O, know, sweet love, I always write of you, And you and love are still my argument; So all my best is dressing old words new, Spending again what is already spent: For as the sun is daily new and old, So is my love still telling what is told. 4 8 12 14 —William Shakespeare

Q1



Q2



Q3



C

Why is my verse so barren of new pride,
So far from variation or quick change?
Why with the time do I not glance aside
To new-found methods and to compounds strange?
Why write I still all one, ever the same,
And keep invention in a noted weed,
That every word doth almost tell my name,
Showing their birth and where they did proceed?
O, know, sweet love, I always write of you,
And you and love are still my argument;
So all my best is dressing old words new,
Spending again what is already spent:
For as the sun is daily new and old,
So is my love still telling what is told.

4



8



12

14

Sonnet 76 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It's a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.

This poem repeats the theme of Sonnet 38, which examines the issue of the poet's obsession with the Youth as the repeated and sole theme of his poetry.

The poet expresses frustration with his poetry; that it is repetitive and he can't find inspiration. He ponders finding inspiration from other artists. He ends the poem justifying the endless, uninspired, repetition of his love poetry to the endless repetition to the rising and setting sun.

Sonnet 76 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 7th line exemplifies a regular iambic pentameter:

The 1st line begins with a common variation, an initial reversal (a figure repeated several times in the sonnet), and ends with a less-frequent one, the rightward movement of the 4th ictus (resulting in a 4-position figure, × × / /, sometimes referred to as a minor ionic). The 2nd line repeats the minor ionic at the same point in the line: