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Sonnet 75

Sonnet 75
Detail of old-spelling text
Sonnet 75 in the 1609 Quarto
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So are you to my thoughts as food to life,
Or as sweet-season’d showers are to the ground;
And for the peace of you I hold such strife
As ’twixt a miser and his wealth is found;
Now proud as an enjoyer, and anon
Doubting the filching age will steal his treasure;
Now counting best to be with you alone,
Then better’d that the world may see my pleasure:
Sometime all full with feasting on your sight,
And by and by clean starved for a look;
Possessing or pursuing no delight,
Save what is had or must from you be took.
Thus do I pine and surfeit day by day,
Or gluttoning on all, or all away.




4



8



12

14

—William Shakespeare

Q1



Q2



Q3



C

So are you to my thoughts as food to life,
Or as sweet-season’d showers are to the ground;
And for the peace of you I hold such strife
As ’twixt a miser and his wealth is found;
Now proud as an enjoyer, and anon
Doubting the filching age will steal his treasure;
Now counting best to be with you alone,
Then better’d that the world may see my pleasure:
Sometime all full with feasting on your sight,
And by and by clean starved for a look;
Possessing or pursuing no delight,
Save what is had or must from you be took.
Thus do I pine and surfeit day by day,
Or gluttoning on all, or all away.




4



8



12

14

Sonnet 75 is one of 154 sonnets written by the English playwright and poet William Shakespeare. It is a member of the Fair Youth sequence, in which the poet expresses his love towards a young man.

The poet expresses his complete pleasure in the presence of his beloved, but says that his devotion resembles that of a miser to his money, filled with anxiety combined with pleasure in his wealth.

Sonnet 75 is an English or Shakespearean sonnet. The English sonnet has three quatrains, followed by a final rhyming couplet. It follows the typical rhyme scheme of the form, abab cdcd efef gg and is composed in iambic pentameter, a type of poetic metre based on five pairs of metrically weak/strong syllabic positions. The 4th line exemplifies a regular iambic pentameter:

The 6th line exhibits two common variations: an initial reversal and a final extrametrical syllable or feminine ending:

Line 8 necessarily repeats the 6th line's feminine ending. Possible initial reversals also occur in lines 1, 2, 3, 9, 12, and 13; though these can be interpreted in other ways.

The meter demands a few variant pronunciations: in the 2nd line, "showers" functions as 1 syllable, and in the 10th line "starvèd" functions as 2.


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