Somewhere Between Heaven and Hell
| Somewhere Between Heaven and Hell | ||||
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| Studio album by Social Distortion | ||||
| Released | February 11, 1992 | |||
| Recorded | June–October 1991 at El Dorado Studios in Hollywood, California | |||
| Genre | Punk rock, country rock, punk blues, cowpunk, rockabilly | |||
| Length | 44:33 | |||
| Label | Epic | |||
| Producer | Dave Jerden | |||
| Social Distortion chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic |
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| Robert Christgau | B+ |
Somewhere Between Heaven and Hell is the fourth studio album by the American punk rock band Social Distortion, released on February 11, 1992. Following up on the surprise success of their breakthrough singles "Ball and Chain" and "Story of My Life", Somewhere Between Heaven and Hell became a popular album and received positive reviews from music critics. It also spawned their highest-charting single "Bad Luck", which peaked at number 2 on the Modern Rock Tracks chart.
Somewhere Between Heaven and Hell was the one of the best-selling albums of Social Distortion's recording career, achieving gold sales certification in the United States by 2000, and by 1996, the album had sold 296,000 copies. It peaked at number 76 on the US Billboard 200 and topped the Heatseekers chart, and was also Social Distortion's last to feature drummer Christopher Reece, who left the band in 1994.
The cover art features Ness mid-jump, while playing one of his Gibson Les Pauls.
Somewhere Between Heaven and Hell continues the melding of country and rockabilly influences with punk that began with Social Distortion's 1988 album Prison Bound. Clear influences include Hank Williams (on "This Time Darlin'") and Johnny Cash (on "99 to Life").
Reviews for Somewhere Between Heaven and Hell have generally been favorable. AllMusic's Paul Tinelli awards the album four-and-a-half stars out of five and praised the music as a "share of rollicking, straight-ahead hard rock." He also claims that Somewhere Between Heaven and Hell "had all the earmarks of a major commercial success with some radio friendly tunes and strong production, but it never found the large audience Epic Records expected."
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