Someday My Prince Will Come | ||||
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The woman on the cover of the album was Davis' wife, Frances.
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Studio album by Miles Davis | ||||
Released | December 11, 1961 | |||
Recorded | March 7, 20, 21, 1961 | |||
Studio | Columbia 30th Street Studio, New York | |||
Genre | Jazz | |||
Length | 41:45 | |||
Label |
Columbia CS-8456 |
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Producer | Teo Macero | |||
Miles Davis chronology | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
AllMusic | |
Down Beat (1962) | |
Down Beat (1990) | |
Encyclopedia of Popular Music | |
MusicHound Jazz | 4/5 |
The Penguin Guide to Jazz | |
The Rolling Stone Album Guide |
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
Keeping to his standard procedure at Columbia to date of alternating small group records and big band studio projects with Gil Evans, Davis followed up Sketches of Spain with an album by his working quintet. In 1960, however, the jazz world had been in flux. Although Davis had garnered acclaim for Kind of Blue, the entrance of Ornette Coleman and free jazz via his fall 1959 residency at the Five Spot Café and his albums for Atlantic Records had created controversy, and turned attention away from Davis.
Similarly, Davis' touring band had been in flux. In 1959, Cannonball Adderley left to form his own group with his brother, reducing the sextet to a quintet. Drummer Jimmy Cobb and pianist Wynton Kelly had been hired in 1958, but most difficult for Davis was the departure of John Coltrane, who stayed on for a spring tour of Europe but left to form his own quartet in the summer of 1960. In 1960, Davis went through saxophonists Jimmy Heath and Sonny Stitt before settling on Hank Mobley in December, the band re-stabilizing for the next two years.