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Miles Davis

Miles Davis
Miles Davis by Palumbo.jpg
Davis in 1955
Background information
Birth name Miles Dewey Davis III
Born (1926-05-26)May 26, 1926
Alton, Illinois, US
Died September 28, 1991(1991-09-28) (aged 65)
Santa Monica, California, US
Genres Jazz
Occupation(s)
  • Musician
  • bandleader
  • composer
Instruments
Years active
  • 1944–1975
  • 1980–1991
Labels
Associated acts Miles Davis Quintet, John Coltrane, Herbie Hancock, Cannonball Adderley, Bill Evans, Philly Joe Jones, Sonny Rollins, Paul Chambers, Red Garland, Dizzy Gillespie, Jimmy Heath, Sonny Stitt, Charlie Parker, Wayne Shorter, Conte Candoli, Ron Carter, Tony Williams, George Coleman, Sam Rivers, Hank Mobley, Fats Navarro, Freddie Webster, J. J. Johnson, Max Roach, Al Haig, Thelonious Monk, Clifford Brown, Curley Russell, Gil Evans, Gerry Mulligan, Duke Ellington, John Lewis, Kenny Clarke, Thad Jones, Ahmad Jamal, Art Blakey, Jimmy Cobb, Wynton Kelly, Dave Brubeck, Dave Holland
Website milesdavis.com
Notable instruments
Martin Committee

Miles Dewey Davis III (May 26, 1926 – September 28, 1991) was an American jazz trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th century music. With his ever-changing directions in music, Davis was at the forefront of a number of major stylistic developments in jazz over his five-decade career.

Born and raised in Illinois, Davis began performing in 1940s New York with saxophonist Charlie Parker before recording the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, he recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival in 1955, he signed a long-term contract with Columbia Records and recorded the 1957 album 'Round About Midnight. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain (1960), and band recordings, such as Milestones (1958) and Kind of Blue (1959). The latter featured harmonies developed by pianist Bill Evans and was an innovative work in the emerging modal jazz style, eventually becoming arguably the most popular jazz album ever.


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Wikipedia

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