"Snowbird" | ||||
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Single by Anne Murray | ||||
from the album This Way Is My Way | ||||
B-side | "Just Bidin' My Time" | |||
Released | June 1970 | |||
Format | 7" | |||
Recorded | 1969 | |||
Genre | Country pop, soft rock | |||
Length | 2:10 | |||
Label | Capitol | |||
Writer(s) | Gene MacLellan | |||
Producer(s) | Brian Ahern | |||
Anne Murray singles chronology | ||||
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"Snowbird" is a song by the Canadian songwriter Gene MacLellan. Though it has been recorded by many performers (including Bing Crosby and Elvis Presley), it is best known through Anne Murray's 1969 recording, which—after appearing as an album track in mid-1969—was eventually released as a single in the summer of 1970. It was a No. 2 hit on Canada's pop chart and went to No. 1 on both the Canadian adult contemporary and country charts. The song reached No. 8 on the U.S. pop singles chart, spent six weeks at No. 1 on the U.S. adult contemporary chart, and became a surprise Top 10 U.S. country hit as well. It was certified as a gold single by the RIAA, the first American Gold record ever awarded to a Canadian solo female artist. The song peaked at No. 23 on the UK Singles Chart. In 2003 it was an inaugural song inductee of the Canadian Songwriters Hall of Fame.
Anne Murray and Gene MacLellan had met while both were regulars on the CBC television series Singalong Jubilee and Murray recorded two of MacLellan's compositions, "Snowbird" and "Biding My Time", for her first major label album release, This Way Is My Way, in 1969. Murray would recall: "Gene told me he wrote ["Snowbird"] in twenty minutes while walking on a beach in PEI."
The theme and approach broadly resemble that of the earlier hits "Message to Michael" (a.k.a. "Kentucky Bluebird" in hit versions by Lou Johnson and Adam Faith) and "Yellow Bird" in contrasting the narrator's being stranded in the place of his/her heartache to the bird's ability to just up and fly away. "Snowbird" sold well over a million copies and was recently picked as 19th on the 50 Tracks: The Canadian Version list, a partially populist approach to defining the most influential songs by Canadians.