Smoke Signals (film)
| Smoke Signals | |
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| Directed by | Chris Eyre |
| Produced by |
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| Written by | Sherman Alexie |
| Based on | "The Lone Ranger and Tonto Fistfight in Heaven" by Sherman Alexie |
| Starring | |
| Music by | B.C. Smith |
| Cinematography | Brian Capener |
| Edited by | Brian Berdan |
| Distributed by | Miramax |
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Release date
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Running time
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Approx 89 min. |
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| Language | English |
| Budget | $2,000,000 (est.) |
Smoke Signals is a Canadian-American independent film released in 1998, directed and co-produced by Chris Eyre and with a screenplay by Sherman Alexie, based on the short story "This is What it Means to Say Phoenix, Arizona" from his book The Lone Ranger and Tonto Fistfight in Heaven (1993). The film won several awards and accolades, and was well received at numerous film festivals.
Victor Joseph (Adam Beach) and Thomas Builds-the-Fire (Evan Adams) live on the Coeur D'Alene Indian Reservation in Plummer, Idaho. Thomas is an eccentric storyteller and Victor is an angry young man who enjoys playing basketball.
Victor and Thomas are brought together through Victor's father, Arnold (Gary Farmer). Arnold rescued Thomas as an infant from a house fire that killed his parents. Because of this, Thomas considers him a hero. On the other hand, Victor, who endures Arnold's alcoholism, domestic violence, and eventual child abandonment, regards his father with both deep love and bitter resentment. Thomas and Victor grow up together as neighbors and acquaintances, fighting with each other and simultaneously forming a close, albeit uneasy, alliance.
When Arnold dies in Phoenix, Arizona, where he has stayed after leaving Victor and his mother Arlene (Tantoo Cardinal), Victor and Thomas go on an adventure to retrieve his ashes. The trip is the means for Victor and Thomas to explore their identities. Neither of them loses sight of his identity as an "Indian," but their perspectives differ. Victor is more stoic and Thomas is more traditional (and romantic to the point of watching the feature film Dances with Wolves countless times). Their dichotomy is portrayed all through the film; it results in Victor being irritated with Thomas, and Thomas being fascinated with Victor.
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