Sinhala Cinema

Sri Lankan cinema encompasses the films made in Sri Lanka. It is a fledgling industry that has struggled to find a footing since its inauguration in 1947 with Kadawunu Poronduwa produced by S.M. Nayagam of Chitra Kala Movietone. Sri Lankan films are usually made in the Sinhalese language, the language of the majority Sinhala people.

In the first nine years most films were made in South India and followed the conventions of Indian cinema. Studio shooting was the norm, with Indian style sets erected in film studios. Even though it is popularly held that Rekava, made in 1956 by pioneer director Lester James Peries, was the first Sinhala film to be shot completely out of studio, it was really the film "Gambada Sundari", made in 1950 which was the first film shot outside studios. It was also the first Sri Lankan film where, like in "Rekawa", the dialog was recorded on the spot. This was because the film was shot on 16mm, using an Auricon sound-on-film camera which recorded the sound on the 16mm film optically, unlike in the case of where the sound was recorded on a Kinevox 35mm magnetic recorder. The film was later 'blown-up' to 35mm and was screened in Colombo in 1950.

Though "Rekawa" was acclaimed by local and international critics, the film failed to find an audience in the country and was a box office failure. Films continued to follow formulaic storylines borrowed from India up through the early 1960s despite such efforts as Sandesaya and Kurulu Bedda.

In 1964, Lester James Peries again contributed to the development of Sri Lankan cinema with Gamperaliya which was the first Sinhala film to feature no songs and like Rekava shot completely outside the studio. It garnered massive praise for portraying Sinhala culture in a realistic manner and was hailed by critics and audiences alike. The producer Anton Wicremasinghe was awarded the Silver Peacock at the New Delhi International Film Festival for Gamperaliya. Following this breakthrough, several artistic Sinhala films were made in the late-1960s including Sath Samudura by professor Siri Gunasinghe, ably supported by exquisite cinematography by Dr.D.B. Nihalsinghe.

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Wikipedia