Siegecraft

A siege is a military blockade of a city or fortress with the intent of conquering by attrition or assault. This derives from sedere, Latin for "to sit". Siege warfare is a form of constant, low-intensity conflict characterized by one party holding a strong, static defensive position. Consequently, an opportunity for negotiation between combatants is not uncommon, as proximity and fluctuating advantage can encourage diplomacy.

A siege occurs when an attacker encounters a city or fortress that cannot be easily taken by direct assault and refuses to surrender. Sieges involve surrounding the target and blocking the reinforcement or escape of troops or provision of supplies (a tactic known as "investment"), typically coupled with attempts to reduce the fortifications by means of siege engines, artillery bombardment, mining (also known as sapping), or the use of deception or treachery to bypass defences. Failing a military outcome, sieges can often be decided by starvation, thirst, or disease, which can afflict either the attacker or defender. This form of siege, though, can take many months or even years, depending upon the size of the stores of food the fortified position holds. During the process of circumvallation, the attacking force can be set upon by another force of enemies due to the lengthy amount of time required to starve a position. A defensive ring of forts outside the ring of circumvallated forts, called contravallation, is also sometimes used to defend the attackers from outside

Ancient cities in the Middle East show archaeological evidence of having had fortified city walls. During the Warring States era of ancient China, there is both textual and archaeological evidence of prolonged sieges and siege machinery used against the defenders of city walls. Siege machinery was also a tradition of the ancient Greco-Roman world. During the Renaissance and the early modern period, siege warfare dominated the conduct of war in Europe. Leonardo da Vinci gained as much of his renown from the design of fortifications as from his artwork.

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