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Si Dios Me Quita La Vida (Telenovela)

Si Dios me quita la vida
Cuando llega el Amor
Genre Telenovela
Romance
Drama
Created by Marissa Garrido
Written by María Zarattini
Vittoria Zarattini
Directed by Jorge Fons
Enrique Lizalde
Starring Daniela Romo
César Évora
Enrique Lizalde
Omar Fierro
Rafael Rojas
Adriana Roel
Luis Felipe Tovar
Theme music composer Luis Demetrio
Bebu Silvetti
Opening theme Si Dios me quita la vida by Daniela Romo
Ending theme Voy by Daniela Romo
Country of origin Mexico
Original language(s) Spanish
No. of episodes 125
Production
Executive producer(s) Pedro Damián
Juan Osorio
Location(s) Filming
Televisa San Ángel
Mexico City, Mexico
Cinematography Carlos Sánchez Zúñiga
Juan Carlos Frutos
Running time 21-22 minutes
Production company(s) Televisa
Distributor Televisa
Release
Original network Canal de las Estrellas
Picture format 480i SDTV
Audio format Dolby Digital 5.1
Original release February 20 – August 11, 1995
Chronology
Preceded by Imperio de Cristal
Followed by María la del Barrio
Related shows La leona (1961)
Una mujer marcada (1979)
A leona (1982)
La Leona (2016)

Si Dios me quita la vida (English title: If God takes away my life) is a Mexican telenovela produced by Pedro Damián and Juan Osorio for Televisa in 1995. This is a remake of the 1961 telenovela La leona starred by Amparo Rivelles and Ernesto Alonso.

Daniela Romo and César Évora starred as protagonists, while Omar Fierro and Alma Muriel starred as antagonists.

María Sánchez Amaro is a girl from a wealthy family, educated in the moral habits of the 20s, whose live revolves around three men: Alfredo, the seducer, whom she married and procreate a child, Enrico, mature man, noble and protector, with whom he formed a second marriage, and Antonio, who teaches her the promise of true love.

After suffering abuse and betrayal by Alfredo, she is alone with her daughter when he goes to jail. She goes forward with his beautiful voice, but when he was released he returns to harass, María falls into the arms of Enrico, captivated by his love and goodness, and therein lies the love and protection that she has always yearned.

Antonio then appears, as a man who received protection from Enrico when he fled his country, accused of a crime he did not commit. Enrico does not only work but also gave him the same affection that he gave his own son. Antonio falls madly in love with the wife of the man who most wants and respects, and she does, too, although both try to resist this tormented and impossible love.


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