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Sheffield Crucible Theatre

Crucible Theatre
Sheffield Crucible theatre.png
The main entrance to the Crucible Theatre
Address 55 Norfolk Street
Sheffield
England
Owner Sheffield Theatres
Designation Grade II listed building
Type Thrust Stage
Capacity 980
Construction
Opened 1971
Architect RHWL
Website
http://www.SheffieldTheatres.co.uk

The Crucible Theatre (often referred to simply as "The Crucible") is a theatre built in 1971 in the city centre of Sheffield, South Yorkshire, England. As well as theatrical performances, it hosts the most prestigious event in professional snooker, the World Championship. The theatre was refurbished between 2007 and late 2009 and officially reopened 18 February 2010.

The Crucible Theatre was built by M J Gleeson and opened in 1971, replacing the Playhouse Repertory theatre in Townhead Street. In 1967 Colin George, the founding Artistic Director of the Crucible, recommended a thrust stage for Sheffield, inspired by theatres created by Sir Tyrone Guthrie. Tanya Moiseiwitsch, who had been involved in designing Guthrie’s theatres, was the designer. The architects Renton Howard Wood Levin Architects were engaged and the building itself began to take shape in 1969. It was completed in two years, on time for the opening performance in November 1971 of Fanfare, an evening's entertainment comprising children participating in an improvised scene, Chekhov’s Swan Song with Ian McKellen and Edward Petherbridge and a music hall finale with a Sheffield brass band.

This demonstrated the versatility of the stage, which has since been adapted to dance and musical performance, as well as classical and modern theatre, and receives touring productions, as well as hosting squash and the World Snooker Championship.

The audience sits on three sides but no member is more than the length of a cricket wicket – 22 yards (20 metres) – from the performer, or indeed a snooker ball. Consequently, although it seats 980 people the spectator has an intimate relationship with the activity on stage. Colin George and the Administrator David Brayshaw persuaded the Gulbenkian Foundation to finance for the first time the building of a professional theatre – the 400 seat Studio, which opened with the main house.


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