She's Mature
| She's Mature | ||||
|---|---|---|---|---|
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| Studio album by Plastic Little | ||||
| Released | September 19, 2006 | |||
| Recorded | 2006 | |||
| Genre | Rap, Underground rap | |||
| Length | 73:51 | |||
| Label | Traffic Entertainment, Tonearm | |||
| Producer | Michael Stern | |||
| Plastic Little chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Pitchfork Media | 7.4/10 |
| XLR8R | Neutral |
| Montreal Mirror |
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| Rhapsody Music | Positive |
| Impose Magazine | Neutral |
She's Mature is the debut studio album by the Philadelphian rap group, Plastic Little. The album was released on September 19, 2006 through Traffic Entertainment Group.
The album contains many samples from a wide variety of sources, ranging from the 70s Disco song "The Hustle" by Van McCoy sampled in track "1-800-Grustlin" and the classic American folk song "Wade in the Water" in "The Jumpoff"; to the beat from the RZA song "4th Chamber", from GZA's Liquid Swords, being sampled in the tribute / parody "5th Chamber". Even the cover of the album mimics The Smiths single "This Charming Man".
The advertising for the album, a two part series of adverts published in Vice magazine, among others, caused some controversy for the aforementioned magazine. The initial, "a hipster's homoerotic fantasies involving Jay-Z", ran without complaint; however the latter, which disparaged hip-hop clothing line Triple 5 soul, was banned from the magazine due to, according to Graham Sanford of GapersBlock, "the mag's editors -- fearing a loss in revenue from a staple sponsor". This was, however, later overturned.
There is a secret track after "Nemel's Outro". It is a remix of the song "Brooklyn" from their self-released album, Thug Paradise 2.1.
The album received mixed reviews. Pitchfork Media awarded the album 7.4 out of 10 and had the following to say about the album and Plastic Little's general outlook and sound:
It's worth noting that for all their love/hate toggling over rap, Plastic Little have got an album cover that pays tribute to the Smiths' "This Charming Man" sleeve, and songs that sample "Heaven Knows I'm Miserable Now" and PJ Harvey's "Down By the Water" (on the surprisingly aching Diplo-produced "Now I Hollar"). So there's more to them than simple hip-hop snickering. They're art school kids exposed to the banality of indie culture, but in love with it, too. They're also guys who seemingly watch a lot of porn and enjoy rapping about it. To hear self-loathing on a rap record that has nothing to do with regrets about the street life is a welcome change-up. If Plastic Little can ever find the balance between incisive and acerbic, they're bound to hit on some sort of Spinal Rap masterpiece. Until then, at least all the beats are banging.
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Wikipedia