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Shanghai Municipal Orchestra


Shanghai Symphony Orchestra (Chinese: 上海交响乐团) is an influential orchestra in Shanghai, China. The music director is Yu Long.

Shanghai Symphony Orchestra was founded in 1879, which was the earliest Chinese symphony. Originally, it was known as the Shanghai Public Band. Then it expanded in 1907 to an orchestra. In 1922, it was renamed as the Shanghai Municipal Council Symphony Orchestra.

Shanghai Symphony Orchestra’s predecessor was established known as the Shanghai Public Band. French flautist Jean Remusat was appointed as conductor. At the time he was deemed "the best European flautist and the chief flute soloist of the theaters in Paris and London" by the Shanghai-based North-China Herald. Musicians were all Filipinos and audiences were Europeans from the concessions.

German conductor Rudolf Buck succeeded as a conductor. He brought 8 musicians from Germany and Austria as chiefs of different sections. Authentic orchestral music performances began and its regulations became standardized, with regular summer and winter concert seasons established including the European coupon concert and stroll concert. The music played became more diverse; however, there were only 39 people in the band so songs performed were somewhat brief.

Mario Paci, who was an Italian pianist, took over command. He reconstructed the band in accordance with the urban European orchestras. He went to Europe for recruitment of Italian musicians, including Arrigo Foa, who was a graduate of Milan Conservatory and became vice conductor later. Paci led the orchestra for a splendid 23 years, building it into "the best in the Far East".

The band was renamed as Shanghai Municipal Council Symphony Orchestra. During the next 23 years of "Paci Era", the Orchestra played more different kind of music and had cooperation with famous musician from Europe and around the world.

It was the first time that Chinese people appeared in the concert of the orchestra. Although the orchestra mainly served for foreigners from the concessions, Paci cared a lot about cultivating Chinese audiences and music talents. 5 years later, the summer open-air concerts were open to Chinese audiences for the first time. Later on, Chinese viewers made up 24% of the audience.

The Japanese took over the orchestra and renamed it Shanghai Philharmonic Orchestra. Foa succeeded as conductor in May. During this special period, musical activities not only avoided suppression, but became more active than ever before. When World War II ended, it was taken over by the National Government and its name changed to Shanghai Municipal Orchestra. The European musicians left one after another, which provided Chinese musicians with opportunities. A time was evolving for Chinese people to master the orchestra and the music life of China.


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