Shadi Abdel Salam
| Shadi Abdel Salam | |
|---|---|
| Born |
15 March 1930 Alexandria, Egypt |
| Died | 8 October 1986 (aged 56) |
| Occupation | Film director, screenwriter |
| Years active | 1969 – 1986 |
Shadi Abdel Salam (Arabic: شادي عبد السلام) was an Egyptian film director, screenwriter and costume and set designer. Born in Alexandria on 15 March 1930, Shadi graduated from Victoria College, Alexandria, 1948, and then moved to England to study theater arts from 1949 to 1950. He then joined faculty of fine arts in Cairo where he graduated as an architect in 1955. He worked as assistant to the artistic architect, Ramsis W. Wassef, 1957, and designed the decorations and costumes of some of the most famous historical Egyptian films among which are; Wa Islamah, Al Nasser Salah Ad-Din, Almaz wa Abdu El Hamouly. He worked as a historical consultant and supervisor of the decoration, costumes and accessories sections of the Polish film, "Pharaoh", directed by Kavelorovitch.
He also directed the long drama film entitled The Night of Counting the Years (Al-Momiaa), 1968–1969, and he received many film awards for this work. Also directed the short drama film entitled The Eloquent Peasant. Notably, he once worked as the Director of the Ministry of Culture Center for experimental films in 1970. He also wrote the scenario of the long drama film entitled "Ikhnatoun" and finalized the relevant designs from 1974–1985. He has taught at the Cinema Higher Institute of Egypt in the Departments of Decorations, Costumes and Film Direction from 1963–1969. He died on 8 October 1986.
Cast: Ahmed Marei, Ahmad Hegazi, Zouzou Hamdy El-Hakim and Nadia Lutfi.
Produced in 1969, "The Night of Counting the Years" was released in 1969. The story is based upon the true story of the discovery of 40 Royal Mummies in 1881 in Thebes, the capital of the Pharaonic Empire. For over three thousand years, the mummies had lain undisturbed, until some archaeologists from the Antiquities Department in Cairo noticed that several objects bearing royal names from the 21st dynasty were constantly appearing on the antique black market. They surmise that somewhere in Thebes, someone knows the location of the missing tombs. It happens that this secret has been kept from generation to generation by the chief's descendants among the Horabat mountain tribe. These people have always considered the Royal Cache to be a private source of income on which to draw at times of need. The money had then been divided among the members of the tribe. When the archaeologists arrive to find the tombs, the two sons of the dead tribal chief are thrown into moral chaos, not knowing whether to reveal the secret or preserve what the tribesmen consider to be their natural heritage. The younger son, Waniss, becomes the central figure in the story film.
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