Sgraffito

Sgraffito (Italian: [zɡrafˈfiːto]; plural: sgraffiti; sometimes spelled scraffito) is a technique either of wall decor, produced by applying layers of plaster tinted in contrasting colours to a moistened surface, or in pottery, by applying to an unfired ceramic body two successive layers of contrasting slip or glaze, and then in either case scratching so as to reveal parts of the underlying layer. The Italian past participle "sgraffiato" is also used, especially of pottery.

Sgraffito and sgraffiti come from the Italian word graffiare ("to scratch"), ultimately from the Greek γράφειν (gráphein, "to write"). Related terms include graffito and graffiti.

Sgraffito on walls has been used in Europe since classical times, it was popularized in Italy in the 15th and 16th centuries and can be found in African art. In combination with ornamental decoration these techniques formed an alternative to the prevailing painting of walls. Of late there has been an unmistakable growing interest in this old technique. The technical procedure is relatively simple, and the procedures are similar to the painting of frescoes.

Sgraffito played a significant role during the years of the Renaissance in Italy, with two of Raphael's workshop, Polidoro da Caravaggio and his partner Maturino da Firenze, among the leading specialists, painting palace facades in Rome and other cities. Most of their work has now weathered away. During the 16th century, the technique was brought to Germany by the master builders of the Renaissance and taken up with enthusiasm. As a simple native art, old examples of sgraffito can be found in the wide surroundings of Wetterau and Marburg. In Germany, the technique is most predominant in Bavaria. The use of sgraffito was common in the creation of housing façades for the purposes of advertising. The technique was also used in Thuringia, the Engadin, Austria and Transylvania.

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