Comedy-drama, occasionally known as dramedy (portmanteau of words drama and comedy), is a subgenre in contemporary forms of tragicomedy, especially in television, that combines elements of comedy and drama.
The advent of radio drama, cinema, and in particular television created greater pressure in marketing to clearly define a product as either comedy or drama. While in live theatre the difference became less and less significant, in mass media comedy and drama were clearly divided. Comedies were expected to keep a consistently light tone and not challenge the viewer by introducing more serious content.
By the early 1960s, television companies commonly presented half-hour-long "comedy" series or hour-long "dramas". Half-hour series were mostly restricted to situation comedy (sitcoms) or family comedy and were usually aired with either a live or overdubbed laugh track. One-hour dramas included such shows as police and detective series, westerns, science fiction, and serialized prime time soap operas.
Arguably, one of the first American television shows to successfully blend elements of comedy and drama together was Jackie Cooper's military-themed series, Hennesey. Although the show featured a laugh track, it also contains many elements of character drama that occurred amongst the re-occurring characters and the guest stars. The laugh track wasn't excessively used in each episode; by the third season, it was eliminated completely from the series.
While sitcoms would occasionally balance their humor with more dramatic and humanistic moments, these remained the exception to the rule as the 1960s progressed. Beginning around 1969 in the US, there was a brief spate of half-hour shows that purposely alternated between comedy and drama and aired without a laugh track, as well as some hour-long shows such as CHiPs in the late 1970s to early 1980s. These were known as "comedy-dramas".
A notable early (1969-1974) example of this genre was the award-winning Room 222, one of the first fully racially integrated television series. The episodes blended comedy with weighty subjects such as race relations, integrity, student smoking and mortality as well as topical issues such as the Vietnam War and the plight of returning war veterans.