Secular Jewish music
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| Visual arts | |
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| Literature | |
| Made by Jews | |
| Yiddish | Ladino |
| Judeo-Arabic | Hebrew |
| Israeli | English and American |
| Philosophy | |
| Performance arts | |
| Music | Dance |
| Cuisine | |
| Israeli | Sephardi |
| Ashkenazi | Mizrahi |
| Other aspects | |
| Humour | Languages |
| Symbols | Clothing |
Since Biblical times, music has held an important role in many Jews' lives. Jewish music has been influenced by surrounding Gentile traditions and Jewish sources preserved over time. Jewish musical contributions on the other hand tend to reflect the cultures of the countries in which Jews live, the most notable examples being classical and popular music in the United States and Europe. However, other music is unique to particular Jewish communities, such as klezmer of Eastern Europe.
Modern Israeli music is heavily influenced by its constituents, which include Jewish immigrants from more than 120 countries around the world, which have brought their own musical traditions, making Israel a global melting pot. The Israeli music is very versatile and combines elements of both western and eastern music. It tends to be very eclectic and contains a wide variety of influences from the Diaspora and more modern cultural importation. Hassidic songs, Asian and Arab pop, especially Yemenite singers, and hip hop or heavy metal (including a generally Israeli subgenre of folk metal called oriental metal).
From the earliest days of Zionist settlement, Jewish immigrants wrote popular folk music. At first, songs were based on borrowed melodies from German, Russian, or traditional Jewish folk music with new lyrics written in Hebrew. Starting in the early 1920s, however, Jewish settlers made a conscious effort to create a new Hebrew style of music, a style that would tie them to their earliest Hebrew origins and that would differentiate them from the style of the Jewish diaspora of Eastern Europe, which they viewed as weak. This new style borrowed elements from Arabic and, to a lesser extent, traditional Yemenite and eastern Jewish styles: the songs were often homophonic (that is, without clear harmonic character), modal, and limited in range. "The huge change in our lives demands new modes of expression," wrote composer and music critic Menashe Ravina in 1943. "... and, just as in our language we returned to our historical past, so has our ear turned to the music of the east ... as an expression of our innermost feelings."
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Wikipedia