Sealing the Tomb
| Sealing the Tomb | |
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| Artist | William Hogarth |
| Year | 1755 |
| Type | triptych |
| Medium | Oil on canvas |
| Subject | Sealing the Tomb |
| Dimensions |
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| Location | St Nicholas, Bristol |
Sealing the Tomb is a great altarpiece triptych by William Hogarth in the English city of Bristol. It was commissioned for St Mary Redcliffe in 1755. In the 19th century attempts were made to sell it, but it was given to the Bristol Fine Art Academy, which became the Royal West of England Academy. Its size made it difficult to display and it was rolled up and stored in the basement. In 1973 it was displayed in the ecclesiastical museum created in the war-damaged Church of St Nicholas. When the museum closed it was converted to offices; however the triptych remains in the building.
The three scenes depicted are the Ascension featuring Mary Magdalene, on a central canvas which is 22 feet (6.7 m) by 19 feet (5.8 m). It is flanked by The Sealing of the Sepulchre and the Three Marys at the Tomb each of which is 13 feet 10 inches (4.22 m) by 12 feet (3.7 m). They are mounted in gilded frames.
The painting was commissioned from William Hogarth in 1755 to fill the east end of the chancel of St Mary Redcliffe. It was Hogarth's only commission from the Church of England; he did not follow any faith. The churchwardens paid him £525 for his painting. Thomas Paty made the frames. The total cost was £7671 6s 4d.
The three paintings were too wide for the church and the side panels were placed at an angle to the central one. During the Victorian era Hogarth's work was no longer thought to be suitable for the church and attempts were made to sell it to the National Gallery or via Christie's and an advertisement was placed in The Times; however no potential purchasers could be found. It was given to the Bristol Fine Art Academy, which became the Royal West of England Academy, in 1859. In 1910 another attempt was made to sell it, again without success. The work took up a great deal of display space and presented challenges for public display. It was eventually rolled up and stored in the basement. The museum officially acquired the paintings in 1955 with £500 from the Art Collections Fund.
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