Professional ratings
Review scores
Source	Rating
AllMusic
Chicago Tribune
Daily Mail	4/5
Entertainment Weekly	A
NME	9/10
The Phoenix
Pitchfork	8.8/10
Pittsburgh Post-Gazette
Select	4/5
Vox

Sci-Fi Lullabies is a two-disc compilation album by English alternative rock band Suede, consisting of B-sides from the singles that were released from the group's first three albums. It reached no. 9 on the UK Albums Chart, and received universal acclaim on release. In subsequent years, the record has been hailed as one of the finest B-side compilations in popular music.

The album spans two discs and displays the band in its most prolific era. The first disc is dominated by tracks written by the Brett Anderson/Bernard Butler songwriting partnership (the exceptions are "Together," "Bentswood Boys" and "Europe is Our Playground") while the second showcases the various intra-band songwriting variations (Anderson/Richard Oakes and Anderson/Neil Codling, plus Anderson solo and compositions contributed to by the whole band) that emerged following Butler's departure and the subsequent recruiting of a new guitarist, Richard Oakes and keyboardist Neil Codling.

The album is not quite comprehensive, missing out around half a dozen exclusive songs released as B-sides by the band during the period it covers. Missing Anderson/Butler B-sides are "Painted People" (from "Animal Nitrate"), "Dolly" (from "So Young") and "This World Needs a Father" (from "The Wild Ones" Disc 1), which was the last B-side of the Butler era. Omitted Anderson solo compositions include "Asda Town" (from "The Wild Ones" Disc 2) and "Sam" (from "Beautiful Ones"). Codling's "Digging a Hole" and the band's group effort "Feel", (both from "Lazy"), were omitted from the collection. Live performances released as B-sides (on "New Generation" Disc 2 and "Filmstar" Disc 2) are also not included, neither is Suede's cover of the Pet Shop Boys' "Rent". The track "Eno's Introducing The Band" (from "The Wild Ones" Disc 2) is also not included.

Bassist Mat Osman outlined the band's reasons for the release of the collection, saying: "We had the tracks, we liked them and wanted people to hear them... We were going to release them before our last album (Coming Up in April), but that would have been backwards. Also, a load of bootlegs have begun appearing in Europe, and they cost a sum of money. These are songs we want people to hear. This tends to tie up all the loose ends."

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