The "Schnitzelbank" is a simple song, popular most with Americans of German descent.
Schnitzelbank literally means "scrap bench" or "chip bench" (from Schnitzel "scraps / clips / cuttings (from carving)" or the colloquial verb schnitzeln "to make scraps" or "to carve" and Bank "bench"); like the Bank, it is feminine and takes the article "die". It is a woodworking tool used in Germany prior to the industrial revolution. It was in regular use in colonial New England, and in the Appalachian region until early in the 20th century; it is still in use by specialist artisans today. In America it is known as a shaving horse. It uses the mechanical advantage of a foot-operated lever to securely clamp the object to be carved. The shaving horse is used in combination with the drawknife or spokeshave to cut down green or seasoned wood, to accomplish jobs such as handling an ax; creating wooden rakes, hay forks, walking sticks, etc. The shaving horse was used by various trades, from farmer to basketmaker and wheelwright.
A Schnitzelbank is also a short rhyming verse or song with humorous content, often but not always sung with instrumental accompaniment. Each verse in a Schnitzelbank introduces a topic and ends with a comedic twist. This meaning of the word is mainly used in Switzerland and southwestern Germany; it is masculine and takes the article "der". It is a main element of the Fasnacht celebrations in the city of Basel, where it is also written Schnitzelbangg. Schnitzelbänke (pl.) are also sung at weddings and other festivities by the Schitzelbänkler, a single person or small group. Often the Schnitzelbänkler will display posters called Helgen during some verses that depict the topic but do not give away the joke.
A German-language ditty for children "The Schnitzelbank Song" is popular among German Americans with an interest in learning or teaching German to their offspring. It is often sung by adults for entertainment and nostalgia. Versions were published in the United States at least as early as 1900
Groucho Marx was performing it on Vaudeville by 1910.
The Big Bad Wolf sings a version of the song to his offspring in the 1936 Walt Disney cartoon Three Little Wolves. The same year Cary Grant, Joan Bennett, and Gene Lockhart sing a version of the song in the film Wedding Present. Later, Joan Bennett's character uses the tune to the song to mock Cary Grant's character for his hypocritical behavior after being promoted.