Scapino

Scappino, or Scapin, is a zanni character from the commedia dell'arte. His name is related to the English word "escape" in reference to his tendency to flee from fights, even those he himself begins. He has been dated to the last years of the 16th century, and his creation is sometimes credited to Niccolò Barbieri. He is a Bergamo native, and was popularized by the actor Francesco Gabrielli.

Later versions show his costume with green (or sometimes turquoise) and white stripes, similar to Mezzetino's red and white, but Callot shows Scapino in an outfit similar to the early Brighella's, white with a tabaro and a sword on his belt, and topped with a torn hat adorned with feathers. He is in fact a variant on Brighella, more cowardly and less clever. Some people call him Brighella's brother, some his son.

Scapino tends to make a confusion of anything he undertakes and metaphorically "flees" from one thought, activity or love interest to another, as his name implies, although he usually will return to it – eventually. Self-preservation and self-interest are his main concerns. This is not to say his wits are without merit. In Molière's play Les Fourberies de Scapin, Zerbinette mentions what “a clever servant [Léandre] has. His name is Scapin. He is a most wonderful man and deserves the highest praise.” He is a schemer and scoundrel, and takes a certain pride in these facts. He was originally a masked character, although later versions usually have the actor simply powder his face. He is traditionally shown with a hooked nose and a pointed beard.

Like Brighella, Scapino is a Jack-of-all-trades and depends on the needs of the scenario for his occupation.

Scapino is depicted musically in William Walton's 1940 composition, Scapino: A Comedy Overture.

From Molière's Les Fourberies de Scapin:

...
Wikipedia