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Sardanapalus (play)

Sardanapalus
The Two Foscari, Sardanapalus, and Cain.jpg
First edition title page
Written by Lord Byron
Characters
Mute Women of the harem, guards, attendants, Chaldean priests, Medes etc.
Date premiered 10 April 1834 (1834-04-10)
Place premiered Theatre Royal, Drury Lane
Original language English
Subject The fall of the Assyrian monarchy
Genre Historical tragedy, blank verse tragedy, closet drama
Setting The Royal Palace at Nineveh

Sardanapalus (1821) is a historical tragedy in blank verse by Lord Byron, set in ancient Nineveh and recounting the fall of the Assyrian monarchy and its supposed last king. It draws its story mainly from the Historical Library of Diodorus Siculus and from William Mitford's History of Greece. Byron wrote the play during his stay in Ravenna, and dedicated it to Goethe. It has had an extensive influence on European culture, inspiring a painting by Delacroix and musical works by Berlioz, Liszt and Ravel, among others.

In a soliloquy Salemenes deplores the life of slothful luxury led by his brother-in-law Sardanapalus, king of Assyria. The king enters, and Salemenes reproaches him with his lack of ambition for military glory and his unfaithfulness to his queen, Salemenes' sister. He warns him of possible rebellion by treacherous courtiers. Sardanapalus answers by extolling the virtues of mild and merciful rule and condemning bloodshed, but is finally persuaded to give Salemenes his signet so that he can arrest the rebel leaders. Salemenes leaves, and Sardanapalus reflects,

Till now, no drop from an Assyrian vein
Hath flow'd for me, nor hath the smallest coin
Of Nineveh's vast treasures e'er been lavish'd
On objects which could cost her sons a tear:
If then they hate me, 'tis because I hate not:
If they rebel, 'tis because I oppress not.

The Greek slave-girl Myrrha, Sardanapalus' favourite, enters; when Sardanapalus proposes to spend the evening banqueting by the Euphrates she persuades him not to go, fearing some danger there.

The Chaldean astrologer Beleses predicts the downfall of Sardanapalus, then meets the satrap Arbaces and plots the king's murder with him. Salemenes enters and tries forcibly to arrest both men, but Sardanapalus arrives unexpectedly and, not wanting to believe that Beleses and Arbaces could be traitors, breaks up the struggle. Salemenes and the king leave, and Arbaces, shamed by the king's clemency, momentarily abandons his regicidal intentions. A messenger arrives from the king, telling the two satraps to return to their respective provinces without their troops. Beleses believes this to be the prelude to a death sentence. Arbaces agrees:


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