Saputangan
| Saputangan | |
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Pamphlet
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| Directed by | Fred Young |
| Screenplay by | Tan Tjoei Hock |
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Production
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Bintang Soerabaja
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Release date
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| Language | Indonesian |
Saputangan (Indonesian for Handkerchief) is a 1949 romance film from what is now Indonesia. Directed by Fred Young and starring Chatir Harro, Noorsini, and Astaman, it follows a young doctor who, after his fiancée is blinded in an automobile accident, becomes an optometrist and restores her sight.
As a sign of his love, the medical student Hardjono has given his fiancée Karnasih his handkerchief. After Hardjono finishes his final exams, his parents give him a new car, with which Hardjono takes Karnasih on holiday to Mega Mendung, near Bogor. However, during their excursion the car crashes into a log. Though Hardjono receives only minor injuries, Karnasih is blinded in the accident.
In the weeks afterwards, Karnasih—hoping to conceal her loss of sight and thus preserve his love for her—refuses to meet with Hardjono. Undaunted, Hardjono continues to contact her. When they do meet, Karnasih pretends that she can still see, a ruse which fails after Hardjono attempts to give her a handkerchief which has fallen to the ground.
Hardjono, hoping to become an optometrist and restore Karnasih's vision, decides to go abroad and receive further training. Karnasih, meanwhile, dedicates her time to educating poor children at her own school, the Taman Karnasih.
Six years pass, and Hardjono—having received the training he sought—returns. He operates on Karnasih. Six weeks pass, and Karnasih's vision is restored, allowing her to see her beloved again.
Saputangan was directed by Fred Young as the second film for his company Bintang Soerabaja, following Sehidup Semati (One in Life, One in Death). Young initially wrote the story as a stage play for his theatrical troupe, also named Bintang Soerabaja. The story was adapted into a screenplay by Tan Tjoei Hock, who had joined the company together with financier and film producer The Teng Chun. Production began in September 1949 and was, at the time, estimated to require two months of filming.
Though the film was shot in black-and-white, the titular handkerchiefs in Saputangan were hand-tinted. The Indonesian film historian Misbach Yusa Biran writes that this hand tinting, done owing to references to the handkerchiefs' colour, was done poorly, such that the colour was jittery.
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