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Santa Lucia de' Magnoli Altarpiece

Santa Lucia de' Magnoli Altarpiece
Domenico Veneziano 002.jpg
Artist Domenico Veneziano
Year c. 1445–1447
Medium Tempera on panel
Dimensions 210 cm × 215 cm (83 in × 85 in)
Location Uffizi, Florence, Italy
External video
Pala di Santa Lucia dei Magnoli, san francesco e san giovanni battista.jpg
Veneziano's St. Lucy Altarpiece, Smarthistory

The Santa Lucia de' Magnoli Altarpiece (Italian: Pala di Santa Lucia de' Magnoli) is a painting by the Italian painter Domenico Veneziano, dated to around 1445–1447. Once placed at the high altar of the church of Santa Lucia dei Magnoli, Florence, it is now housed in the Uffizi Gallery in the same city. The large panel had originally a predella, which has been divided between museums in Washington, Berlin and Cambridge.

The painting is one of the earliest known examples of tabula quadrata et sine civoriis as suggested by Brunelleschi, which meant a "modern" type of painting without the inner frames and the gilded background which was typical of earlier painting. The setting is however reminiscent of the frames, with three ogival arches, the columns and the shell-shaped niches. The polychrome floor, and the architecture, including the base of the Madonna's throne, is depicted with the use of geometrical perspective, an innovation introduced in Italian early Renaissance art.

The saints portrayed are St. John the Baptist and St. Zenobius (patron saints of Florence), St. Lucy (titular of the church where the painting was situated) and St. Francis, who resided in the church at his arrival in Florence in 1211. The garments and the mitre of St. Zenobius are particularly rich, with precious stones, pearls, golden plaques and enamels.

The Stygmata of St. Francis John the Baptist in the Desert Annunciation The Miracles of St. Zenobius The Martyrdom of St. Lucy


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Wikipedia

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