San Francisco Ballet School
| San Francisco Ballet School | |
|---|---|
 |
|
| General information | |
| Name | San Francisco Ballet School |
| Previous names | San Francisco Operatic and Ballet School |
| Year founded | 1933 |
| Founders | Gaetano Merola |
| Principal venue | San Francisco Ballet Building 455 Franklin Street San Francisco, California 94102 |
| Website | school |
| Senior staff | |
| Director | Helgi Tomasson |
| Artistic staff | |
| Deputy Director | Patrick Armand |
San Francisco Ballet School was founded in 1933 as part of the San Francisco Operatic and Ballet School when Gaetano Merola, the founder of the San Francisco Opera, perceived a need for an institution where dancers could be trained to perform in opera productions.
Under the direction of founding ballet director, Adolph Bolm, the San Francisco Operatic and Ballet School opened in 1933 and offered classes in ballet, tap, modern, and interpretive dance. The school was located in the William Taylor Hotel, with affiliate branch schools in nearby Bay Area locations Berkeley, Burlingame, Marin County, San Mateo, and Oakland. After Bolm left in 1937, new Opera ballet mistress Mildred Hirch added a fencing master during her year-long direction; Willam Christensen, previously director of the Oakland Branch School, became SF Opera ballet master and full school director in 1938.
As San Francisco Opera Ballet expanded its touring schedule, it became increasingly difficult for Christensen to serve in both of his professional capacities. In 1940, his brother Harold Christensen took over the position of school director. In 1942, the two Christensen brothers purchased both the ballet company and the school from the Opera Association, renaming the company San Francisco Ballet. Harold Christensen continued as director of the newly named San Francisco Ballet School until his retirement in 1975.
Under Harold Christensen, a nonprofessional curriculum flourished alongside its professional training, with programs targeted at students from very young children to working adults. However, the School became and remained a strictly classical academy for the 33 years that Christensen served as its head. This was particularly advantageous in light of the many directorial changes at SF Ballet, as school students who became company members were able to provide valuable continuity in the face of multiple directorial changes.
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