Samuel Ornitz
| Samuel Ornitz | |
|---|---|
| Born |
Samuel Badisch Ornitz November 15, 1890 New York, New York |
| Died | March 10, 1957 (aged 66) Woodland Hills, California |
| Occupation | Screenwriter |
Samuel Badisch Ornitz (November 15, 1890 – March 10, 1957) was an American screenwriter and novelist from New York City; he is notable as one of the "Hollywood Ten" who were blacklisted from the 1950s on by movie studio bosses during the era of McCarthyism due to being held in contempt of Congress for refusing to testify. In his later years, he wrote novels, including Bride of the Sabbath (1951), which became a bestseller.
Born in 1890 in New York City, New York, to an immigrant Jewish family from Eastern Europe, Ornitz attended public schools and Hebrew School. His father became a successful dry goods merchant who wanted his sons to go into business with him. From an early age, Ornitz became interested in socialism, giving street talks at the age of 12, and writing.
Unlike his brothers, Ornitz was not interested in following their father into business. At the age of 18 he began work as a social worker for the New York Prison Association (1908–14). He next worked for the Brooklyn Society for the Prevention of Cruelty to Children (1914–20).
Ornitz started writing plays, and had The Sock performed in 1918. His Deficit was produced by the People's Playhouse in New York City in 1919.
His first literary success was his debut novel Haunch Paunch and Jowl (1923), an "anonymous autobiography" about his Jewish roots, which gained national notice. It contains an early use of stream-of-consciousness writing in American fiction, a style popularized by Irish writer James Joyce in his novel Ulysses.
In 1928 Ornitz moved to California to work in motion pictures, which was a booming industry as "talkies" were being introduced. The next year he worked on his first screenplay for a Hollywood film. Up until 1945, he wrote or co-wrote another twenty-nine screenplays. These included The Case of Lena Smith (1929), Chinatown Nights (1929), Hell's Highway (1932), Imitation of Life (1934), about a young mixed-race woman who passes as white; Mark of the Vampire (1935), Follow Your Heart (1936), Army Girl (1938), Little Orphan Annie (1938), They Live in Fear (1944), about Nazi Germany; and Circumstantial Evidence (1945).
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