Sam Jaffe (producer)
| Sam Jaffe | |
|---|---|
| Born | May 21, 1901 Harlem, New York City |
| Died | January 10, 2000 (aged 98) Los Angeles |
| Nationality | United States |
| Occupation | Movie producer |
| Spouse(s) | Mildred Gersh |
| Children | Naomi Jaffe Carroll Barbara Jaffe Kohn Judith Jaffe Silber |
| Family |
B.P. Schulberg (brother-in-law) Adeline Schulberg (sister) Budd Schulberg (nephew) |
Sam Jaffe (May 21, 1901 – January 10, 2000) was, at different points in his career in the motion picture industry, an agent, a producer and a studio executive.
Jaffe was born in the Harlem neighborhood of New York City to Russian Jewish immigrants, the son of Hannah and Max Jaffe. He has three older siblings: brothers, Joseph and David, and sister Adeline. He was raised on the Lower East Side of Manhattan.
After dropping out of DeWitt Clinton High School, he took a job as an office boy for the Famous Players-Lasky Corporation where his brother-in-law, B.P. Schulberg, was an executive. He eventually worked his way up through the ranks to become the executive in charge of production including films directed by Ernst Lubitsch, Josef von Sternberg and Rouben Mamoulian. In 1932, he was released from Paramount over internal politics and then worked briefly for Harry Cohn at Columbia Pictures before joining the Ad Schulberg Agency, a talent agency founded by his older sister, Adeline Jaffe Schulberg in 1933 after her divorce from B.P. Schulberg that represented the likes of Marlene Dietrich, Fredric March, and Herbert Marshall. When his sister opened a branch in London, he assumed control of the agency, renamed the Jaffe Agency. While running the agency, he was able to convince 20th Century Fox head Darryl F. Zanuck to let him produce The Fighting Sullivans in 1944. He successfully represented several stars and directors of the era, including Humphrey Bogart, Fritz Lang, Raoul Walsh, Stanley Kubrick,Lauren Bacall, David Niven, Zero Mostel, Richard Burton, Mary Astor, Barbara Stanwyck, Lee J. Cobb, and Jennifer Jones. In the 1950s, his business was negatively affected by the investigations of many of his clients by the House Un-American Activities Committee investigations into Hollywood.
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