Salabhanjika

A salabhanjika or shalabhanjika is the sculpture of a woman, displaying stylized feminine features, standing near a tree and grasping a branch. The name of these figures comes from the Sanskrit śālabhañjikā meaning 'breaking a branch of a sala tree'. They are also known as madanakai, madanika or shilabalika.

The shalabhanjika is a standard decorative element of Indian sculpture, a graceful stone sculpture representing a young female under a stylized tree in various poses, such as dancing, grooming herself or playing a musical instrument. The salabhanjika's female features, like breasts and hips, are often exaggerated. Frequently these sculpted figures display complex hairdos and an abundance of jewelry.

The shalabhanjika concept stems from ancient symbolism linking a chaste maiden with the sala tree or the asoka tree through the ritual called dohada, or the fertilisation of plants through contact with a young woman. The symbolism changed over the course of time and the shalabhanjika became figures used as ornamental carvings, usually located in the area where worshipers engage in circumambulation, near the garbhagriha of many Hindu temples. Placed at an angle, salabhanjika figures also were used in temple architecture as a bracket figures.

Salabhanjikas are also often mentioned in ancient and modern Indian literature.

Some of the most renowned salabhanjika sculptures are to be found in the 12th-century Hoysala temples of Belur, Halebidu and Somanathapura, in south-central Karnataka. The shalabhanjika on the East gateway (Torana), is the best known sculpture of the Sanchi Stupa near Bhopal, a World Heritage site, built from the 1st to the 12th centuries. One of early examples are the shalabhanjikas of built in Shunga dynasty dating to the 2nd or 1st century BC, found at the Durakhi Devi Temple, after the excavation of Kumhrar, the remains of an ancient city of Pataliputra.

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